Search Results for "sound recording"
The Revolutionary MP3 Player
Posted by: | CommentsThe MP3 player, which is a compression format that shrinks digital audio files with negligible sound-quality degradation, has revolutionized the way people can listen to music (MP3 Developments). The technological advances that the MP3 player has made were all possible due to its predecessors. The MP3 is incredibly small, dynamic, slim, easy to operate and lightweight to accommodate all types of people who might purchase and use one. The history of the MP3 player is extremely in depth and just recently, up for debate.
MP3 is short for MPEG Audio Layer III, which is a standard for audio compression, making music files smaller with the same type of sound quality they had in their bigger files (The History of MP3). Although Apple did not invent the MP3 player, its line called iPods, helped soar the MP3 to unprecedented popularity (What is an MP3 Player?). All the music can be stored on one device, which one downloads on to, making it portable and easily accessible. The user of the device can create song playlists tailored to their likes and wants. One can access files off the internet, either free or at a small fee, or could copy songs off their favorite CD’s, to put on the MP3 player and listen to.
When Shawn Fanning started Napster in 2000, the online music base where downloading music was free, music moguls were scared that their industry and business would be ruined. CD sales, however, actually increased by 6 percent in the beginning of 2000 (Rage Against the Machines). Since Napster was founded, it has been reformatted to where the user now has to pay a fee and can then download music. Napster is not a free service anymore. Since these technological developments and advancements were making headway in the music world, this meant that profits would inevitably decrease for these music moguls who had already been in the business for more than sixty years. Technology made listening to music extremely easy (Rage Against the Machines). There have always been new forms of music emerging, new enemies that the competition or the already established companies had to deal with. It was a never-ending cycle and battle.
In the 1920′s and 30′s the radio was seen as the foe. Record companies and musicians’ unions would wage war with the radio stations that played recorded music instead of featuring the live performances (Rage Against the Machines). In 1963 Philips presented the audio cassette tape, which in turn pivoted the rage and anger towards that market, instead of the radio (Rage Against the Machines). History repeats itself and with each new technology in the music world, the anger is directed towards the new implemented idea or product. These feelings by the various companies are inescapable.
Audio technology is forever improving its quality and technologies accessible to their clientele. In the early 19th century, the phonograph, invented by Thomas Edison, and the Gramophone, by Emile Berliner, were massive and bulky (MP3 Developments). Through the decades the music players changed, creating the small, compact image of today’s standards. The very first successful recording device was developed in 1855, but that didn’t really catch on to the mainstream audience until Edison’s phonograph in 1877 (MP3 Developments). “Long players,” more commonly known as LPs, came in 1947 with a face pace of 33 1/3 revolutions per minute, upping the ante for their predecessors MP3 Developments).
James Clerk Maxwell developed the theoretical basis for the propagation of electromagnetic waves in 1873, which paved the way for the radio to flourish. The radio was basically used for the military during World War I. When RCA, or the Radio Corporation of America, obtained the Victor Talking Machine Company in 1929, music as known presently, was initiated (MP3 Developments). The radio brought musical enjoyment to the masses. One could be sitting at home, in the car or at a public place, and could tune in to the station or programming that they wanted to listen to. This technology brought forth the idea of mobility.
The 8-track, invented by William Powell, came in the early 1960′s. Music was masked by horrible sound quality because of misalignments in the tape and tape heads, which caused bleeds of other songs on the tape (MP3 Developments). There was only forty minutes of music on the whole 8-track.
The average cassette tape did not reach homes until the late 1970′s, but were previously used in recording studios since the 1950′s (MP3 Developments). Cassettes were smaller than the 8-track, and had a higher sound quality. In 1979, Sony debuted the Walkman, which made cassette sales increase substantially in the 1980′s. The compact disc, otherwise known as the CD, succeeded the cassette tape, in the late 1980′s. The CD’s used a digital storing system (MP3 Developments). The MP3, which will later be discussed, increased CD storage capabilities by ten times, not reducing the sound quality at all (MP3 Developments).
Fraunhofer-Gesellshaft, a German company, developed the MP3 technology (The History of MP3). Bernhard Grill, Karl Heinz-Brandenburg, Thomas Sporer, Bernd Kurten, and Ernst Eberlein were all inventors named on the MP3 patent (The History of MP3). The MP3 was invented in 1989 in Erlangen, Germany (MP3 Developments). Frauenhofer, in the early 1990′s developed the first MP3 player; however, that was an unsuccessful attempt (The History of MP3). In 1997, Tomislav Uzelac of Advanced Multimedia Products invented the AMP MP3 Playback Engine, which became the first actual MP3 player (History of MP3).
In recent developments there are disputes of tangled origins within the MP3 technology invention. Microsoft, among other companies, has been paying Fraunhofer Institute for Integrated Circuits, for their licensing of MP3 audio format (Patent Fights). There are a number of companies who worked on developing the MP3 player for almost twenty years, who now should be paid for legalities. Thomson, Royal Philips Electronics and AT&T, have laid patent claims on the MP3 technology, which have ensued a substantial number of lawsuits, and occasionally seizures of music players by some customs authorities (Patent Fights). Alcatel-Lucent, part of Bell Labs and AT&T, says they were the “main creative engine behind what went on to become the MP3 standard,” (Patent Fights). To make matters worse, the MP3 patent right saga continues, with many companies stepping forward saying that they had a hand in the development and execution of the MP3 technology.
The MP3 relates to a vast amount of technologies currently available. Many cell phone makers have added built in MP3 players to their cell phones. A person can purchase one product but obtain two great features on it; the cell phone and the MP3 player. This lets the consumer only be obligated to carry one piece of equipment rather than two. In 2005, Apple’s iPod and Motorola’s Razr V3 combined these two technologies, providing a communication synergy that was unheard of in previous times (Digital World Insider). These phones equipped with MP3 player capabilities revolutionized the cell phone industry, providing wireless connection to the World Wide Web to access downloadable songs and music videos, as in the V-Cast phone, currently on the market. Memory Stick Duo Pro cards, can be inserted into the phone to download one’s CD’s to their phone as well.
There are numerous adjustments being made to MP3 players daily. Some MP3 players are now being released to the public that have Bluetooth capabilities. Bluetooth means that it is a form of wireless communication, depending on what is being referred to as the context of the subject. The Insignia 4-Gigabyte Player can broadcast MP 3 music and video soundtracks all to a pair of headphones, connected by no wires (An MP3 Player with Bluetooth). This new player can hold up to 1,000 songs, and 14 movies, and also has an FM tuner with 20 preset channels (An MP3 Player with Bluetooth).
Around thirty million Americans have hearing loss and 1/3 of them have noise-induced hearing loss (Hearing Loss). If a sound is over ninety decibels at a prolonged exposure, creates some kind of hearing loss. Most portable music players produce sounds up to 120 decibels (Hearing Loss). One does not feel hearing loss, in fact it takes years to see a difference and be diagnosed with permanent loss of hearing.
In ear earphones are the worst earphones to have. One study showed that they increase the decibel level between 7 to 9. Earphones that sit over the ear usually have lower decibel range, being a tad safer for the ear (Hearing Loss). There is not much risk to listening to music if the player is at a level where one can still carry on a normal conversation. At risk people include those that keep their MP3 player head phones set 60% higher than the maximum level, if one can’t hear conversations going on around them, if those near can hear the music and if one is shouting instead of talking to those nearby (Hearing Loss).
One benefit of the MP3 player has been how the device aids in exercising. Since the MP3 player is portable, lightweight and easily accessible, it’s the perfect companion to those who like to exercise and burn calories. Often people listen to music to workout because it helps them keep pace and motivates them. The tempo of the song can also help speed up the person’s workout or get the person ready for the cool down based on the songs pacing, like a slower song verse a fast pace one.
MP3 players are currently all the rage. From its predecessors the MP3 player technology has taken the way everyone listens to music to new heights. Its versatility, mobility and accessibility help in making the popularity of this device soar.
Disruptive Technologies – How music editors are related to steam engines
Posted by: | CommentsI am not into technologies, those that change so ever fast, and always. But I do observe technological trends, along which the development of scientific applications revolves.
And of all trends, perhaps disruptive technologies are the defining path of industrial implications, a linear passage that technological progress almost invariably follows. Though the concept of “disruptive technologies” is only popularized in 1997 by Harvard Business School Professor Clayton Christensen in his best-seller “The Innovator’s Dilemma”, the phenomenon was already evidenced back in 1663, when Edward Somerset published designs for, and might have installed, a steam engine.
As put forth by Clayton Christensen, disruptive technologies are initially low performers of poor profit margins, targeting only a minute sector of the market. However, they often develop faster than industry incumbents and eventually outpace the giants to capture significant market shares as their technologies, cheaper and more efficient, could better meet prevailing consumers’ demands.
In this case, the steam engines effectively displaced horse power. The demand for steam engines was not initially high, due to the then unfamiliarity to the invention, and the ease of usage and availability of horses. However, as soon as economic activities intensified, and societies prospered, a niche market for steam engines quickly developed as people wanted modernity and faster transportation.
One epitome of modern disruptive technologies is Napster, a free and easy music sharing program that allows users to distribute any piece of recording online. The disruptee here is conventional music producers. Napster relevantly identified the “non-market”, the few who wanted to share their own music recordings for little commercial purpose, and thus provided them with what they most wanted. Napster soon blossomed and even transformed the way the internet was utilized.
Nevertheless, there are more concerns in the attempt to define disruptive technologies than simply the definition itself.
One most commonly mistaken feature for disruptive technologies is sustaining technologies. While the former brings new technological innovation, the latter refers to “successive incremental improvements to performance” incorporated into existing products of market incumbents. Sustaining technologies could be radical, too; the new improvements could herald the demise of current states of production, like how music editor softwares convenience Napster users in music customization and sharing, thereby trumping over traditional whole-file transfers. The music editors are part of a sustaining technological to Napster, not a new disruptor. Thus, disruptive and sustaining technologies could thrive together, until the next wave of disruption comes.
See how music editors are linked to steam engines? Not too close, but each represents one aspect of the twin engines that drive progressive technologies; disruptors breed sustainers, and sustainers feed disruptors.
This character of sustaining technologies brings us to another perspective of disruptive technologies: they not only change the way people do business, but also initiate a fresh wave of follow-up technologies that propel the disruptive technology to success. Sometimes, sustaining technologies manage to carve out a niche market for its own even when the disruptive initiator has already shut down. Music editor and maker softwares continue to healthily thrive, despite Napster’s breakdown (though many other file sharing services are functioning by that time), with products like the AV Music Morpher Gold and Sound Forge 8.
A disruptive technology is also different from a paradigm shift, which Thomas Kuhn used to describe “the process and result of a change in basic assumptions within the ruling theory of science”. In disruptive technologies, there are no assumptions, but only the rules of game of which the change is brought about by the behaviors of market incumbents and new entrants. They augment different markets that eventually merge. In Clayton Christensen’s words, newcomers to the industry almost invariably “crush the incumbents”.
While researching on disruptive technologies, I came across this one simple line that could adequately capture what these technologies are about, “A technology that no one in business wants but that goes on to be a trillion-dollar industry.” Interesting how a brand new technology that seemingly bears little value could shake up an entire industry, isn’t it?
You are probably asking, why then that no one wants it? Or how true is the money claim to these disruptive technologies? And if it is true, what are the implications to the business practice? How do market incumbents and new entrants behave?
The scope of this article could only let me take the first question. Well, it is not that dominating companies are not visionary to see a disruption is coming. They can’t. A disruptive technology is inherently not attractive initially; no one could see how Napster could boom and lead to the thriving market of audio softwares like the music editors and mixers, except the disruptors themselves. Even if one manages to foresee it, the “Innovator’s Dilemma” is there to keep them from acting.
And as the books show, technology has always evolved in waves of disruption.
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Music Production and Audio Engineering School
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Pursuing a career in music and entertainment is definitely something exciting. With the growth of all the technology today, the music being produced in the industry is something completely different from the days of old. Now everything is fresher, of higher quality, and is always aimed to be better than the last creation. Because of this, professions in this field require the most skill from any individual working as an audio engineer or in sound production, and choosing the school to get the education from is no joke. This guide provides you with insight on the top music production schools and audio recording schools around the country to further help you with that critical, life altering decision.
Nowadays, music and sound production is already a recognized field. There are tons of career opportunities for those who are naturally interested and inclined to creating and engineering music whether it be for musicians in their albums, scores in a movie, or the soundtrack of a commercial. In this profession, it is all about creating something that can outdo the others before it and that all boils down to skill. But how exactly does one gain all that needed skill and training? The answer is: the education you receive.
So what exactly are those schools that are note-worthy? Here is a few of the top music production schools open today:
1. Institute of Production and Recording
The Institute of Production and Recording started in 2002 with four founders: Terry Mhyre, Jack Robinson, Lance Sabin, and Tom Tucker, Sr. There are two core programs in the school, namely the following: Associate in Applied Science Degree Program for Music and Entertainment Business and the Associate in Applied Science Degree Program in Audio Production and Engineering. IPR also offers certification courses and programs in Digidesign which are designed to build proficiency in using Pro Tools System, and an Apple Logic Pro Certification Training to get proficient in Logic Pro.
2. Musicians Institute
The institution is a music production school that offers students programs that can help build careers in the professional recording industry. MI incorporates its comprehensive, in-depth education with state of the art labs and studios. Aside from audio and music production, they also tackle post production in film and television. Studios at MI are updated, state of the art and use equipment such as Neve, SSL, DigiDesign, and Neumann.
3. The Los Angeles Recording School
The Los Angeles Recording School began in 1985 and was at first a job training school for recording engineers. The school aims to provide its students with the best training and education on today’s industry’s constantly changing equipment and techniques through a faculty of experienced engineers and music industry professionals. The LARS program concentrates on music production, digital recording, and audio post-production for film and television. The school also allows students to attend on either a full time or part time basis, with an average of 25 or 19 hours each week, respectively.
4. Columbia Academy
Since 1967, Columbia Academy has been providing high quality education to students considering a career in the music and entertainment industry. Columbia Academy provides courses that train students in the fields of broadcasting arts, music recording, sound design, post production audio, and video and film production. The school facilities include 3 recording studios to accommodate the courses’ hand on training and practical applications. In the Columbia Academy program, students may choose between two streams, whichever suits them best – either music recording or post production for film and television. The Recording and Sound Design Program runs for 11 months (44 weeks), with supervision from instructors who have earned years of experience in sound design. The program is comprised of four modules that are made up of 80 hours of combined classroom theories, practical instruction, and supervised hand on lab/studio time. Classes run 5 times a week, 4 hours a day.
Choosing who to provide you with the best education for your future career is no easy task, especially with all the audio production schools to choose from nowadays. For the serious student looking to pursue a career as a music or audio engineer, or any track in sound production, the most important thing is to find a school that offers a comprehensive curriculum and extensive training to get you experienced in all aspects of music production. And in this constantly evolving field, it is crucial to look amongst all the audio engineering schools for an institution with programs that can keep up with the changing times.
The task of choosing your music producing school is no joke. It’s an important decision that will greatly affect your future career. Read up, ask questions, call offices and make the decision that’s right for you.
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Career Opportunities in Music Recording
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A countless number of music schools have spawned in recent years due to a renewed interest in recording music. There are many career opportunities in the field of music. Whether you’re aspiring to be a music engineer or a legitimate recording artist, music recording training has become one of the best career training options available in the world today.
Career Opportunities In Music Recording
Music is not all about a microphone and a piano. A top class music recording involves many sophisticated equipments in addition to a qualified professional music engineer. The demand for music engineers today is very high. Countless music recordings are released each and every month and a good music engineer can earn a significant amount of money in a short amount of time. Music engineers will be in higher demand the more their name and reputation is established. This means they can command a higher asking price for their services. Fame can indeed accompany money for many music engineers.
The Role Of A Music Engineer
Some people have this misconception that a music engineer is dealing with wires and circuits all day. The fact is a career as a music engineer is something entirely different than that misconception. A music engineer is usually referred to as the recording engineer in the recording studio. The digital audio workstations that you find in a recording studio are the music engineer’s instruments. The role of the music engineer is to fine-tune the music that is being recorded. This job requires enormous skill and proper training.
The Music Career Training
While there are many music career-training programs available today, if you truly wish to shine in your music career, it’s important to find the absolute best training programs.
One of the best music career training programs available is the ‘Conservatory’s Master Recording Program II’.
Unlike other conventional music recording training programs, the Conservatory’s Master Recording Program II concentrates totally on the art and science of sound. Starting from the basic principles of sound, this unique program extends for 42 weeks and finishes with the most sophisticated concepts of audio engineering. One of the main features of this training program is that the training program covers eight main aspects. The eight main areas of this training program are:
1. Audio Recording and Production – This part covers all of the basic principles of sound and educates students about the basic fundamentals of music recording.
2. Music Business – Here the student learns about the various methods of making money in a music related business. This session includes classes about audio copyrights and record labels.
3. Digital Recording – This is the doorway to digital recording. Lessons are available for digital recording and other digital techniques in the form of computer based applications.
4. Pro Tools – This is the most important part of the program. This session familiarizes students with the sophisticated tools used in digital audio processing and recording.
5. Sound Reinforcement – This session includes studies related to audio signal distribution.
6. Troubleshooting/Maintenance – Basic electronic engineering skills and test equipment skills will be taught to the aspiring music engineer.
7. Career Management – This is an opportunity to gain knowledge about the music industry.
8. Internship- This final session provides students with an opportunity to demonstrate skills learned and acquired throughout training.
The program concludes with students hopefully becoming successful music engineers and realizing their dreams of having a lucrative career in music.
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Best iPhone Music Apps
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Why let other musicians clog-up your iPhone with their music when you’ve got a catalog of your own killer tunes just waiting to be made. The best iPhone apps for musicians put all the power in your hands and transform your iPhone from a music playing device to a music making device. Practicing, recording and editing your own tracks couldn’t be simpler and whether you’re a budding Elvis or Michael Jackson, these iPhone music apps will get you closer to a hit record than you ever thought possible. Here are the Best iPhone Apps for Musicians:
Musician’s Practice Journal
Practice, track and save the progress of all the songs you’re trying to learn with this iPhone music app. This application allows you to get a piece-by-piece breakdown of each song and the graphing feature is great for keeping you motivated in your quest to emulate your musical idols.
4 Tracks Audio Recorder
4 Tracks Audio Recorder is the perfect iPhone music app if you’re a budding singer, songwriter or producer. It doesn’t matter whether you’re jamming in the park or tucked away in your room dreaming up your next musical masterpiece, this iPhone music app is like having a recording studio in your pocket. The software allows you to burn four simultaneous beats on one track and the inbuilt metronome and tracking features help turn that rough tune into a smooth beat.
Metronome TS
Click, click…click click click. Whatever tempo you need, this handy metronome app will keep you in time. Metronome TS has the ability to keep tempos from 30 to 250 bpm and the swinging pendulum animation creates an authentic looking application. Users can also input their own beats by tapping the screen which makes this the perfect digital music aid.
Chord Play
Having trouble with that tricky guitar chord sequence but don’t want to keep disturbing your musician friends? Well, Chord Play is an iPhone music app that accurately mimics the set-up of a standard 6 string guitar and helps you to improve your hand positioning without ever needing to pick up your axe. Multiple guitar sounds (including acoustic and electric) are available and you are able to have 12 simultaneous chords on display at any one time. You’d better get your hands on this app if you want to play awesome chords.
Johnny Jams Piano
Take any notion you have of a traditional instrument and throw it out of the window because Johnny Jams Piano is unlike anything you’ve seen before. The unique application turns your iPhone into a full scale melody maker that you can play with both hands. The iPhone’s tilt technology makes it possible to slide up and down the full musical scale and the simple user interface makes mastering this instrument far easier than the piano or guitar. This app hits all the right notes for beginning musicians.
RelativePitch
“An interval is the gap between two notes” is all you need to know to start learning relative pitch. This iPhone application makes music theory easy and teaches you everything you need to know about the range of musical pitches. Start off in basic mode and work through the levels of complexity, testing yourself at each point, until you have the harmonic ear of a concert composer. You will be performing and appreciating music even more with this perfectly pitched app.
Play on Cue
Your waiting in the sound booth, just as the grand finale of the theatre’s biggest production is about to start and disaster strikes: you can’t find the right song. If only you had an iPhone music app that made it so simple to play the right track on cue, you’d be saved. Play on Cue is a nifty little application that allows you to pre-load a track order and start playing the tune with one touch of the screen. Each song stops playing after the last note, which leaves you free to prepare yourself for the next cue. Even if you’re a sound technician with ADHD, this iPhone app for musicians couldn’t make your job any simpler.
Local Concerts
The iPhone has a vast array of great apps for helping to improve your own musical talents but sometimes you just want to be able to listen to the best do their thing. Local Concerts is a great free iPhone music app that tells you exactly where and when your favorite artists are in your area. This is one of the best iPhone apps for musicians because it uses the contents of your music library and quickly and effortlessly directs you towards the best places to buy tickets for all the gigs near you. Neither you nor you friends need miss a concert again with this amazing application.
Blue Note Music Flash Cards
If you know your alphabet you can easily learn the notes of the musical scale and with Blue Note Music Flash Cards the job is easy. The intelligent system randomly plays a note and asks you to identify (by touching the screen) which note: A, B, C, D, E F or G it is. The software recognizes which notes you are having difficulty with and will provide you with more practice on them until you can nail them every time.
LyricPad
Sometimes the perfect lyrics strike when you least expect them and if you don’t have a pen and paper handy, that killer line could be lost for eternity. LyricPad turns your iPhone into a pen, notepad and MP3 player in one. With one of the best iPhone apps for musicians, pen a new song or edit an existing masterpiece over the top of your favorite tune; whenever inspiration strikes, never be at a loss for words with LyricPad.
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