And of all trends, perhaps disruptive technologies are the defining path of industrial implications, a linear passage that technological progress almost invariably follows. Though the concept of “disruptive technologies” is only popularized in 1997 by Harvard Business School Professor Clayton Christensen in his best-seller “The Innovator’s Dilemma”, the phenomenon was already evidenced back in 1663, when Edward Somerset published designs for, and might have installed, a steam engine.

As put forth by Clayton Christensen, disruptive technologies are initially low performers of poor profit margins, targeting only a minute sector of the market. However, they often develop faster than industry incumbents and eventually outpace the giants to capture significant market shares as their technologies, cheaper and more efficient, could better meet prevailing consumers’ demands.

In this case, the steam engines effectively displaced horse power. The demand for steam engines was not initially high, due to the then unfamiliarity to the invention, and the ease of usage and availability of horses. However, as soon as economic activities intensified, and societies prospered, a niche market for steam engines quickly developed as people wanted modernity and faster transportation.

One epitome of modern disruptive technologies is Napster, a free and easy music sharing program that allows users to distribute any piece of recording online. The disruptee here is conventional music producers. Napster relevantly identified the “non-market”, the few who wanted to share their own music recordings for little commercial purpose, and thus provided them with what they most wanted. Napster soon blossomed and even transformed the way the internet was utilized.

Nevertheless, there are more concerns in the attempt to define disruptive technologies than simply the definition itself.

One most commonly mistaken feature for disruptive technologies is sustaining technologies. While the former brings new technological innovation, the latter refers to “successive incremental improvements to performance” incorporated into existing products of market incumbents. Sustaining technologies could be radical, too; the new improvements could herald the demise of current states of production, like how music editor softwares convenience Napster users in music customization and sharing, thereby trumping over traditional whole-file transfers. The music editors are part of a sustaining technological to Napster, not a new disruptor. Thus, disruptive and sustaining technologies could thrive together, until the next wave of disruption comes.

See how music editors are linked to steam engines? Not too close, but each represents one aspect of the twin engines that drive progressive technologies; disruptors breed sustainers, and sustainers feed disruptors.

This character of sustaining technologies brings us to another perspective of disruptive technologies: they not only change the way people do business, but also initiate a fresh wave of follow-up technologies that propel the disruptive technology to success. Sometimes, sustaining technologies manage to carve out a niche market for its own even when the disruptive initiator has already shut down. Music editor and maker softwares continue to healthily thrive, despite Napster’s breakdown (though many other file sharing services are functioning by that time), with products like the AV Music Morpher Gold and Sound Forge 8.

A disruptive technology is also different from a paradigm shift, which Thomas Kuhn used to describe “the process and result of a change in basic assumptions within the ruling theory of science”. In disruptive technologies, there are no assumptions, but only the rules of game of which the change is brought about by the behaviors of market incumbents and new entrants. They augment different markets that eventually merge. In Clayton Christensen’s words, newcomers to the industry almost invariably “crush the incumbents”.

While researching on disruptive technologies, I came across this one simple line that could adequately capture what these technologies are about, “A technology that no one in business wants but that goes on to be a trillion-dollar industry.” Interesting how a brand new technology that seemingly bears little value could shake up an entire industry, isn’t it?

You are probably asking, why then that no one wants it? Or how true is the money claim to these disruptive technologies? And if it is true, what are the implications to the business practice? How do market incumbents and new entrants behave?

The scope of this article could only let me take the first question. Well, it is not that dominating companies are not visionary to see a disruption is coming. They can’t. A disruptive technology is inherently not attractive initially; no one could see how Napster could boom and lead to the thriving market of audio softwares like the music editors and mixers, except the disruptors themselves. Even if one manages to foresee it, the “Innovator’s Dilemma” is there to keep them from acting.

And as the books show, technology has always evolved in waves of disruption.

The popularity of these devices is increasing because of the range of innovative features available in them. One can easily carry them from one place to the other. The latest iPods are equipped with several new technologies and attractive facilities. The user-friendly interfaces are a part of many of these gadgets so that the users are able to enjoy their preferred songs anytime and without any hassles. The music lovers find themselves delighted to see the facilities available in these Apple products.

The digital music players manufacturing companies are getting tough competition from these products. These devices are light in weight and come in compact sizes. Nano is the latest model of iPods produced by Apple and it has got warm response from the users world over. The impressive colour display and huge memory space have made this product very successful in the market. Some of the other “in demand” gadgets from Apple are Shuffle, Colour Line, 3G iPods, etc. These devices ensure that the music loving users are able to enjoy some great sound quality.

Apart from listening to music on the iPods provided by Apple, a lot of other value-added facilities can be availed by the users. One can download games, watch TV shows and save important information in the storage space of these products. Watching TV on the large display screen of these iPods give thrilling experiences to the users. The music recognition facility is also given in the latest iPods manufactured by Apple. The controlling volume and click wheel facilities are also available that makes using these high-end gadgets quite easy. One can easily search the menus for listening to his or her preferred songs by using these features.

The Apple iPod Nano gives up to 5 hours of video playback time and the standby time of it is up to 24 hours. The Apple iPod Touch is another advanced music device that attracts the customers. It is an amazing gadget that provides the features like media playing, web browsing and photo viewing. The touch screen display of this device gives the convenience of selecting any music file by just touching them. Some of the latest Apple gadgets are loaded with huge storage spaces. One can find the memory space of up to 32 GB in the products launched in the recent times. For people who love browsing the Internet on notebooks, the Apple iPods are also the ultimate choices. The Wi-Fi technology used in these gadgets ensures that the users are able to surf the Internet quite easily. As a matter of fact, one can download up to 25000 pictures and save them in the Apple music gadgets.

The option of slide show is also available in these products that delights the viewers. The online shopping portals provide various contract deals to the users so that they could avail even the high-end devices. The contracts can be made for different time periods depending on the requirements. Many other schemes and deals are offered on these websites that make the shopping more enjoyable. These websites let the users see the specifications and other details of different models of iPods. One can also compare the prices of these products on the comparison shopping portals.

In general, Apple iPods can be considered as the best companions for the music loving users. The innovative features of these devices have lured all kinds of users, both the youth and the adults. All types of music formats such as MP3, MP4, AAC, etc., are supported by these gadgets. The company is focusing on improving the looks and bringing more innovative technologies in the upcoming iPods. Therefore, one can expect a lot of dazzling iPods coming into the market in the near future.

]]> http://www.mxmusicguide.com/5/apple-ipods-enjoy-music-with-a-difference/feed 0 http://www.mxmusicguide.com/96/htc-hero-music-player-and-johns-final-thoughts http://www.mxmusicguide.com/96/htc-hero-music-player-and-johns-final-thoughts#comments Sat, 17 Dec 2011 08:06:16 +0000 http://www.mxmusicguide.com/96/htc-hero-music-player-and-johns-final-thoughts
I had to edit out a few things. Originally, I corrected two mistakes – in another vid, I called the rubberized black back brown, and said that the phone lacked 1700 AND 2100 MHz bands. I also spoke about the lack of a camera button, but I’ve said enough about this device for now. Stay tuned for coverage from Mr. Kravitz. More Videos: www.phonedog.com Win free phones! www.phonedog.com

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You need music; the question is where to get it. The first place to look is on your own shelf. If you have a vast selection of CDs or even just a few, you probably want to be able to listen to them without having to lug around your CD collection everywhere. To get the music from the CDs into your iPhone, you will need a computer with software that rips the music onto the computer’s hard drive. This software will convert the music into an .mp3 file so the iPhone can read it.

This software can be found anywhere on the Internet. If you use a search engine you can find a free software download this way. You can also use iTunes to get music into your iTunes library. When ripping your music, make sure to use at least a 192 bit rate. It will make your music sound better while listening to it. But stay consistent with the bit rate. If you constantly change the bit rate for different songs, you will hear a different sound quality. It can get pretty annoying.

The Internet is also a good resource for downloading music. Most of the time these songs are already in an .mp3 format so there is no need to rip the song. Once you download the song, it is yours and you can listen to it as often or as many times as you like.

You have to be careful when downloading music. The p2p and torrent sites may seem like a good idea when you find them because the music is free, but they are not. First, the sites are illegal and you can get in trouble. The fines would be astronomical, a lot more than you would have paid for the music. Secondly, this is a great way to catch a virus or any other type of bug that will mess with your computer. P2p sites are not monitored for malware, so your computer can get easily infected.

Look for sites that offer a one-time administration fee. These range from $20 to $50. These types of sites are great because for the one-time fee you have access to thousands of files. You will end getting more than your money worth with these sites.

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Steve Vai was born to Johnny and Theresa Vai, and his life, like that of many of the famous, began in his teens when he revered guitarists such as Jimi Hendrix and Led Zeppelin. Or that is what you read, but it really started when he was twelve and he informed his dad that the accordion was not for him, and that his future lay with the guitar: which is just as well since Steve Vai, accordionist, does not have the same ring.

One his parents realized that this was not just an adolescent phase, born of puberty and a desire to impress the girls; they purchased him a real instrument and sent him off to the Boston Barklee School of Music. When he was nineteen, he wrote his own music and recorded a piece he named Flax-Able in a home studio. Although he wrote it as an experiment so that he could learn more about recording studios, and recording methods, it was so good that it was released and sold a quarter of a million copies on the Relativity label.

What is amazing is that this recording sold itself, with no promotion whatsoever, and a star was born. After impressing Frank Zappa with a transcription of one of Zappa’s pieces, Black Rock, he was invited into Zappa’s band, and toured the world, being given the nickname ‘Stunt Guitarist’. Although this was a great opportunity for a young guitarist, Vai slipped into a period of depression for about eighteen months, until he decided that it had to stop. He read a book titled ‘The Magic in Your Mind’, and something in it connected with him.

He quit smoking, and became a vegetarian, and from then on his life was on an upward spiral. He recorded several albums with Zappa, and then joined a band called Alcatrazz, fronted by Graham Bonnett, formerly of Rainbow. At that time Van Halen was very popular, and when Dave Lee Roth left Van Halen to start up his own solo band, his friend bassist Billy Sheehan, who he was later to team up with, invited him to audition for the guitar job, which he eventually landed.

He amazed fans with his reproduction of some of Eddie Van Halen’s best solos, and he went on to record ‘Eat Em and Smile’ one of the most successful hard rock releases of 1986. That brought Steve Vai guitar stardom in all the guitar magazines, and he was suddenly one of the hottest guitar players around. He continued until 1988, when his friend Sheehan left the band, and Steve quickly followed, accepting an invite to join UK band Whitesnake, a band in the same mould as Van Halen and Alcatrazz that had success with a combination of metal and pop. He got his chance because lead guitarist Adrian Vandenberg broke an wrist skateboarding.

His only album with Whitesnake was ‘Slip of the Tongue’, recorded in 1989, and just before this he had recorded his third solo album, ‘Passion & Warfare’. This album displayed every one of Steve’s talents, showing both the spiritual and hard rock side, both of his playing and his nature. His 1991 Grammy award was a highlight in his career which had been well earned.

He left Whitesnake and formed his own band, VAI, after a period of inactivity. When their first and only album, ‘Sex & Religion’ flopped, Steve went back to instrumental and solo work such as the all instrumental ‘Alien Love Secrets’ in 1995, and ‘Fire Garden’ in 1996. He continued in this vein until the end of the 1990s, although he toured for a while with his friend Joe Satriani on the G3 tours which he continues to do.

Steve Vai’s music has appeared in several movies, including Crossroads, Bill and Ted’s Bogus Journey and Ghosts of Mars. He now focuses on instrumentals such as the Secret Jewel Box, a ten disc box set that covers his entire career.

He now owns a recording and publishing company and keeps bees with his wife Pia and his two children. He sells his honey for his charity every year from his website, and believe me, that sure is popular honey, and he has launched his own guitar, the Ibanez JEM with his own unique design.

Steve Vai is one of the guitar greats and still stands up there in anybody’s top 10 guitarists of all time, along with Clapton, Hendrix, Satriani and Peter Green, and he always shall do. He might never have received the same degree of fame and exposure as Hendrix or Clapton, but he was up there beside them in his ability as a player, and that is what matters.

That he was unable to truly contribute to the music of others due to the constraints of the heavy metal and pop music of the age indicates that he was an artist and mystic with too much vision to conform as the others did. This is why he had few options but to revert to solo performances where he could show his true ability without conforming, which is a mark of a great musician.

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MP3 is short for MPEG Audio Layer III, which is a standard for audio compression, making music files smaller with the same type of sound quality they had in their bigger files (The History of MP3). Although Apple did not invent the MP3 player, its line called iPods, helped soar the MP3 to unprecedented popularity (What is an MP3 Player?). All the music can be stored on one device, which one downloads on to, making it portable and easily accessible. The user of the device can create song playlists tailored to their likes and wants. One can access files off the internet, either free or at a small fee, or could copy songs off their favorite CD’s, to put on the MP3 player and listen to.

When Shawn Fanning started Napster in 2000, the online music base where downloading music was free, music moguls were scared that their industry and business would be ruined. CD sales, however, actually increased by 6 percent in the beginning of 2000 (Rage Against the Machines). Since Napster was founded, it has been reformatted to where the user now has to pay a fee and can then download music. Napster is not a free service anymore. Since these technological developments and advancements were making headway in the music world, this meant that profits would inevitably decrease for these music moguls who had already been in the business for more than sixty years. Technology made listening to music extremely easy (Rage Against the Machines). There have always been new forms of music emerging, new enemies that the competition or the already established companies had to deal with. It was a never-ending cycle and battle.

In the 1920′s and 30′s the radio was seen as the foe. Record companies and musicians’ unions would wage war with the radio stations that played recorded music instead of featuring the live performances (Rage Against the Machines). In 1963 Philips presented the audio cassette tape, which in turn pivoted the rage and anger towards that market, instead of the radio (Rage Against the Machines). History repeats itself and with each new technology in the music world, the anger is directed towards the new implemented idea or product. These feelings by the various companies are inescapable.

Audio technology is forever improving its quality and technologies accessible to their clientele. In the early 19th century, the phonograph, invented by Thomas Edison, and the Gramophone, by Emile Berliner, were massive and bulky (MP3 Developments). Through the decades the music players changed, creating the small, compact image of today’s standards. The very first successful recording device was developed in 1855, but that didn’t really catch on to the mainstream audience until Edison’s phonograph in 1877 (MP3 Developments). “Long players,” more commonly known as LPs, came in 1947 with a face pace of 33 1/3 revolutions per minute, upping the ante for their predecessors MP3 Developments).

James Clerk Maxwell developed the theoretical basis for the propagation of electromagnetic waves in 1873, which paved the way for the radio to flourish. The radio was basically used for the military during World War I. When RCA, or the Radio Corporation of America, obtained the Victor Talking Machine Company in 1929, music as known presently, was initiated (MP3 Developments). The radio brought musical enjoyment to the masses. One could be sitting at home, in the car or at a public place, and could tune in to the station or programming that they wanted to listen to. This technology brought forth the idea of mobility.

The 8-track, invented by William Powell, came in the early 1960′s. Music was masked by horrible sound quality because of misalignments in the tape and tape heads, which caused bleeds of other songs on the tape (MP3 Developments). There was only forty minutes of music on the whole 8-track.

The average cassette tape did not reach homes until the late 1970′s, but were previously used in recording studios since the 1950′s (MP3 Developments). Cassettes were smaller than the 8-track, and had a higher sound quality. In 1979, Sony debuted the Walkman, which made cassette sales increase substantially in the 1980′s. The compact disc, otherwise known as the CD, succeeded the cassette tape, in the late 1980′s. The CD’s used a digital storing system (MP3 Developments). The MP3, which will later be discussed, increased CD storage capabilities by ten times, not reducing the sound quality at all (MP3 Developments).

Fraunhofer-Gesellshaft, a German company, developed the MP3 technology (The History of MP3). Bernhard Grill, Karl Heinz-Brandenburg, Thomas Sporer, Bernd Kurten, and Ernst Eberlein were all inventors named on the MP3 patent (The History of MP3). The MP3 was invented in 1989 in Erlangen, Germany (MP3 Developments). Frauenhofer, in the early 1990′s developed the first MP3 player; however, that was an unsuccessful attempt (The History of MP3). In 1997, Tomislav Uzelac of Advanced Multimedia Products invented the AMP MP3 Playback Engine, which became the first actual MP3 player (History of MP3).

In recent developments there are disputes of tangled origins within the MP3 technology invention. Microsoft, among other companies, has been paying Fraunhofer Institute for Integrated Circuits, for their licensing of MP3 audio format (Patent Fights). There are a number of companies who worked on developing the MP3 player for almost twenty years, who now should be paid for legalities. Thomson, Royal Philips Electronics and AT&T, have laid patent claims on the MP3 technology, which have ensued a substantial number of lawsuits, and occasionally seizures of music players by some customs authorities (Patent Fights). Alcatel-Lucent, part of Bell Labs and AT&T, says they were the “main creative engine behind what went on to become the MP3 standard,” (Patent Fights). To make matters worse, the MP3 patent right saga continues, with many companies stepping forward saying that they had a hand in the development and execution of the MP3 technology.

The MP3 relates to a vast amount of technologies currently available. Many cell phone makers have added built in MP3 players to their cell phones. A person can purchase one product but obtain two great features on it; the cell phone and the MP3 player. This lets the consumer only be obligated to carry one piece of equipment rather than two. In 2005, Apple’s iPod and Motorola’s Razr V3 combined these two technologies, providing a communication synergy that was unheard of in previous times (Digital World Insider). These phones equipped with MP3 player capabilities revolutionized the cell phone industry, providing wireless connection to the World Wide Web to access downloadable songs and music videos, as in the V-Cast phone, currently on the market. Memory Stick Duo Pro cards, can be inserted into the phone to download one’s CD’s to their phone as well.

There are numerous adjustments being made to MP3 players daily. Some MP3 players are now being released to the public that have Bluetooth capabilities. Bluetooth means that it is a form of wireless communication, depending on what is being referred to as the context of the subject. The Insignia 4-Gigabyte Player can broadcast MP 3 music and video soundtracks all to a pair of headphones, connected by no wires (An MP3 Player with Bluetooth). This new player can hold up to 1,000 songs, and 14 movies, and also has an FM tuner with 20 preset channels (An MP3 Player with Bluetooth).

Around thirty million Americans have hearing loss and 1/3 of them have noise-induced hearing loss (Hearing Loss). If a sound is over ninety decibels at a prolonged exposure, creates some kind of hearing loss. Most portable music players produce sounds up to 120 decibels (Hearing Loss). One does not feel hearing loss, in fact it takes years to see a difference and be diagnosed with permanent loss of hearing.

In ear earphones are the worst earphones to have. One study showed that they increase the decibel level between 7 to 9. Earphones that sit over the ear usually have lower decibel range, being a tad safer for the ear (Hearing Loss). There is not much risk to listening to music if the player is at a level where one can still carry on a normal conversation. At risk people include those that keep their MP3 player head phones set 60% higher than the maximum level, if one can’t hear conversations going on around them, if those near can hear the music and if one is shouting instead of talking to those nearby (Hearing Loss).

One benefit of the MP3 player has been how the device aids in exercising. Since the MP3 player is portable, lightweight and easily accessible, it’s the perfect companion to those who like to exercise and burn calories. Often people listen to music to workout because it helps them keep pace and motivates them. The tempo of the song can also help speed up the person’s workout or get the person ready for the cool down based on the songs pacing, like a slower song verse a fast pace one.

MP3 players are currently all the rage. From its predecessors the MP3 player technology has taken the way everyone listens to music to new heights. Its versatility, mobility and accessibility help in making the popularity of this device soar.

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I am in the “October” of my life and I think , I finally understand a least man-made music and his conception of it.  Asking questions and reading books or any literature on the subject has sort of satisfied my quest for the “whys” of music.  I have been practicing how to do this or that for years and years but the “whys” can set the creative mind to take off, so no more “can’t get no satisfaction….” Since the infinite is to deep for me, lets deal with man made music.

I have come to the conclusion that all man made musical instruments have to be in the range of the human voice, a little higher or lower that’s O.K. If not, they will become obsolete.

The human voice has kept man made music earth bound and the amazing things it that it range or distance is on the average only two and one half octaves! That’s Johnny Cash territory and not Andrea Bucelli who really likes to stretch it, and its made him famous. The human voice is a marvelous instrument, the king and queen of all!

The well trained voice is fantastic with its ability to achieve its wide range of notes, like a diamond with its many facets. The fantastic Australian guitarist Tommy Emmanuel has composed a beautiful piece for guitar entitled “Angelina” but during the piece he hums in harmony with his finger picking and its beautiful. Check it out on Youtube.

My point again is the ultimate superiority of the human voice.  Show me any instrumentalist, as good as he may be, that can match the drawing power of an Andrea Bucelli or your favorite who if he or she is real good can fill a stadium! So the bottom line is I like to sing and have Tommy Emmanuel be my accompanist, whaoo!  That would be awesome!

The human voice has another big advantage. The power of the spoken word. A great Speaker, let alone a great singer has a powerful tool at his disposal. It can get you emotionally.  Listen again to the late Harry Chapin sing his wife’s composition “cats in the cradle” or Roy Clarke’s “Yesterday when I was young” These examples of favorite powerful songs are not sung very often because the singer has a hard time emotionally singing it. That words are that powerful. If you are not affected you will have to fake it, I guarantee it!

Well I have enjoyed this, but it time to start training the king. Hey, it very takes a lot of discipline, but its worth it! Thanks for reading.

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